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So why didn't you get that great shot of you're catch on your last
fishing trip?
For most of us, it is because we didn't take our camera, didn't use it
or didn't follow a few basic rules that can turn our photos into
images we want to hang on our walls.
BASIC PHOTOGRAPHING TIPS
CAMERA BASICS
USE FRESH FILM
Use fresh film and always have extra film at hand. If you have a
digital camera, have plenty of empty disk space, disks and or
extra memory cards.
BATTERIES
Always have extra batteries at hand, especially for digital
cameras. Digital cameras are heavy on batteries. Be prepared.
LIGHTING
The most common problem is the sun. Before taking the shot, ensure
that the sun is behind your back (photographer) and not the subject's.
It is also better not to take photos when it is high noon because of
unwanted shadows. The best shots are normally taken an hour before
sunset when shadows aren't as harsh and don't cover as much of the
face.
COME CLOSER
The most important part of the photo is the fish and the angler. The
rod, lures and maybe a net add a story element.
Everything else should be out of sight. Move the angler to avoid
unwanted elements in the photo. Move fishing rods away from behind the
angler so they don't appear to be sticking out of his or her head.
In general, the closer you are to your subject, the more personal your
photos will be. Make sure your subject is completely contained in your
viewfinder. If you're shooting from a distance, use a zoom lens. If
you don't have a zoom, walk up closer
to the subject, then focus on the main point of interest to make it as
prominent as possible.
SIMPLIFY THE BACKGROUND
Unless the background has an environmental impact on the shot or adds
perspective, you'll want your subject to be the focal point of your
photos. Compose your photo against a simple, pleasing background.
Water, mountain scenery and blue sky all make good backgrounds.
STEADY THE SHOT
An unsteady hand can blur your focus, and this increases with
distance. Rest your elbows on your stomach and bring your
hands together at the wrist. Lean them against the chin. This is also
called the "Weaver Grip" of photography.
TAKE MORE THAN ONE EXPOSURE
Take a few frames at different exposures. It's what the professionals
do, because they know the more they take, the greater the chance of
getting the right shot.
PICKING THE RIGHT FILM SPEED
The film speed (known as its ASA) is another important factor to
consider. As a rule, the higher a film's ASA, the less light you will
need to get a properly exposed picture and the more shutter speed
options you'll have to choose from.
ASA 200 is the best all-around film for daytime photos outdoors.
ASA 400 is a fast film perfectly suited for indoor use or for shooting
outdoors in low light. I would keep some around for when you need it
but ASA 200 with a flash is better.
A flash is your secret weapon outdoors, in daylight, when shooting
into shade.
DIGITAL
Not all digital cameras are the same. The most important tip for
owners of digital cameras is to experiment.
NEVER SHOOT THE LAST FRAME
Exactly three minutes after you took the last two shots to finish the
roll, a 22 pound largemouth bass jumps in your boat, smiles at you,
gives you a knowing nod and jumps back in.
Would you like to risk that?
WET FISH
For the best photos, take the photo immediately after catching the
fish. Fresh-caught fish look alive and colourful, unlike those of
bland subjects that have been in the cooler too long.
TELL A STORY
Try composing your photo so the angler is lifting the fish from the
net or showing it to a friend. Leave the lure in the fish's mouth or
re-hook it, so that the bait used shows in the photo. Many successful
photos also show the angler holding the fishing rod in one hand and
the fish in the other.
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